Hi. Happy Friday
Lets talk about awesome-ness.
What do you find inspiring?
I LOVE PLACEMENT.
The compliments that come from finding the perfect fit.
The way pieces fit together to produce some kind of peace within the viewing.
It can be beyond chaotic but within the constructed chaos we need to be able to find our
What do you find inspiring?
I LOVE PLACEMENT.
The compliments that come from finding the perfect fit.
The way pieces fit together to produce some kind of peace within the viewing.
It can be beyond chaotic but within the constructed chaos we need to be able to find our
attachment...
A place.
Like this photo.
Can we relate? What do we feel, see, find within this image?
Like this video.
What makes these pieces work?
Photo-montage examples
A place.
Like this photo.
Can we relate? What do we feel, see, find within this image?
Like this video.
What makes these pieces work?
Photo-montage examples
Find inspiration within your images... if they don't inspire you then take more that DO.
Be sure to turn in a contact with any new images.
Jerry Uelsmann Assignment
Our assignment is to use images from your first shooting
assignment and to create a
photographic collage using nothing except images from the actual
contact sheet. You
will not be allowed to download or use any images from the Internet or another
person’s creation. The work will be based on selected slides of Jerry Uelsmann from
the class presentation. I would like you to be able to master several important
PhotoShop skills in this project including: layers, filters, Gaussian blur, transparency,
scaling, rotating, distorting, feathering, and proper file preparation.
will not be allowed to download or use any images from the Internet or another
person’s creation. The work will be based on selected slides of Jerry Uelsmann from
the class presentation. I would like you to be able to master several important
PhotoShop skills in this project including: layers, filters, Gaussian blur, transparency,
scaling, rotating, distorting, feathering, and proper file preparation.
The first step is to analyze your contact sheet and look at
all the items you have to
work with. Many items are not meant to be used as a
whole image, just as individual
parts. Also look for an image to be used as a
background. Many of you have some
beautiful sunsets or other landscapes to use
for this. I recommend some kind of
land/sky or sky/water image that might look
good “mirrored”.
Work out some sketches for some compositions. Remember that
Uelsmann often
used backgrounds and settings as the base environment in which
several symbolic,
often mysterious images, were place into the environment.
Sometimes they are
merely placed next to each other, sometimes blended
together, often times floating
(and creating realistic shadows). Use the rule
of thirds, or other designed planning
system. DO NOT JUST RANDOMLY PLACE
OBJECTS ON THE CANVAS! You
should limit the number of large objects in your
composition. Many objects could
become small accessories or strange additions
to the image. Remember to use
unnatural size differences to create a sense of
the surreal to the image.
I have gotten you started with the file
preparation and canvas creation.
Remember to constantly be aware of the symbolic or metaphor
potential in all subject
matter. Little in art is put into an image without it
meaning something or to enhance
the design of the piece (balance, unity,
dominance, etc.).

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